I found this word in T. S. Eliot's Four Quartets, one of my favorite poetic works (and authors) of all time. I never particularly liked poetry until one day, on a sunny afternoon of second semester freshman year, my English professor trooped the class outside to read the Quartets. I was hooked. Eliot's poetry is more than romantic sighing or melancholic brooding, it seems to me. His words sing; they produce a melody and rhythm of time, life, death -- especially death -- and what it means to be human. That might sound trite or ambiguously meaningless, but his theory of objective correlative organizes words in such a way as to give enormous depth and color. How I would like to write like this someday:
Words strain,
Crack and sometimes break, under the burden,
Under the tension, slip, slide, perish,
Decay with imprecision, will not stay in place,
Will not stay still. Shrieking voices
Scolding, mocking, or merely chattering,
Always assail them. The Word in the desert
Is most attacked by voices of temptation,
The crying shadow in the funeral dance,
The loud lament of the disconsolate chimera.
Yes, isn't Eliot just wonderful? I love his poetry to bits, especially the Quartets and The Hollow Men. I'm actually going to write my next term paper on The Waste Land. :)
ReplyDeleteBy the way, did I mention that I really enjoy reading your blog? <3
~Cosima
Good to hear from you, my consulting detective :) Eliot is wonderful and brilliant and fantastic and geronimo! I've written a couple small papers on him, and this week I have another small project due, so my weekend will be full of the Quartets. Glad you are enjoying the blog :) I am having a blast writing it! Talk soon :)
ReplyDeleteI think you're taking words from the comment verification words and just making up meanings...
ReplyDeleteI can do that too, if you like ...
ReplyDelete"Rose" : a smart alec, a know-it-all; ironic for "Catherine," a clever person